Saturday, May 25, 2013

Every camera purchased from us includes £116 worth of free accessories...




You probably already know that we have the best prices on the internet. Need another reason to purchase a camera from us ?

Just in case we made it an even sweeter deal for you. Right now while supplies last you will receive more than £116 worth of free accessories when you purchase any camera from us at http://www.slrhut.co.uk/

Questions? We are happy to help. You can call us at 02035 149 372 for even further discounts.

Saturday, May 18, 2013

Slrhut is now on Pinterest.com...

 
 
 
Become the proud owner of a brand new FREE Nikon D3200. Send us a Candid Photo of you, your family or a pet, include a short description, like us on Facebook and share the page with friends and you could win.

Send up to two image to contest@slrhut.co.uk Now we are on the Pinterest.com. To view our contest gallery go to http://pinterest.com/slrhut/slrhutcouk-photo-contest/

Join us on Pinterest.com. to stay tuned for upcoming contests and for the latest deals on a huge selection of electronic items such as cameras, camcorders and much more.

Saturday, May 11, 2013

The FZ200 – Panasonic’s New Flagship Superzoom Camera


     
          
Competition in the digital camera industry lead to a lot of races. First, there was the megapixel race, with manufacturers scrambling to increase camera resolution to higher and higher levels. That calmed down (to some extent), only for a new race to spring up around lens power. Now manufacturers are offering cameras with 30x, 42x, even 50x lenses. Panasonic, though, has taken a different path with its Lumix DMC-FZ200. Rather than increasing focal range, Panasonic has stuck to same 24x optical zoom that was on its previous flagship superzoom, the FZ150, but has kept its maximum aperture constant at f/2.8 over the entire zoom range - a first for any superzoom camera.

Combined with its 12.1 MOS sensor, the FZ200 becomes just about unmatched in the superzoom segment for low light shooting. The large aperture allows photographers to use lower ISO settings or faster shutter speeds to reduce noise or blur, respectively, something with great appeal to sports and wildlife shooters among others. To help put this in perspective, an equivalent DSLR lens can easily cost over $3000 dollars – and that does not even include the DSLR body. Panasonic’s suggested retail price for this camera listed as $600.

The lens obviously gets a lot of attention, with its enviable aperture across its 24x 25-600mm zoom range, but that doesn’t mean that there’s nothing remarkable about the rest of the camera. The new electronic viewfinder is 0.2 inches across with 1,312,000 dot equivalent resolution – more than 6 times higher than its predecessor. Since it is a field-sequential design, the viewfinder runs at 60Hz. The main, rear LCD has variable angles, allowing for shots from otherwise difficult angles. Self-portraits become a breeze to make.

The camera offers both High Definition and High Speed Video. HD video can be recorded at up to 120 fps, and normal VGA can go even faster at 240 fps.

The FZ200 has a built in Panorama shot mode, and offers the choice of saving in RAW format. That doesn’t mention significantly improved battery life, and a larger working flash range. Also, the maximum shutter speed increased to 1/4000, while the minimum has decreased to a full 60 seconds, to allow for long-exposure shots. It can take 12 photos per second in burst mode.

Since manual and automatic modes are easily accessible through a physical dial, the camera is suitable for casual or beginning photographers along with more advanced ones. The different manual modes allow users to set what shutter speed, aperture or ISO setting should be used. One of those can be set manually with the other two being adjusted automatically, or all three can be set manually. Obviously, automatic modes each sets all three of those based on the light conditions and other factors.

The camera has the same autofocus system as Panasonic’s more advanced G-series, which is known for its speed. Combined with the camera’s fast aperture, the camera makes possible quick snaps at the telephot end of its zoom range – where many other cameras slow down.

Saturday, May 4, 2013

Canon SX50 Takes Zooming to Another Level...

Canon SX50 Takes Zooming to Another Level



Recently, camera manufacturers have been driving up lens ratings on cameras to ever-increasing levels, much like the race to drive up megapixel ratings earlier. Just a few years ago, 12x lenses were just about the best that you could get. With the creation of the “super-zoom” class of cameras, they’ve been left in the dust, with 24x or 30x lenses now common. The race really heated up last year with Nikon’s announcement of the Coolpix P510, with its 42x lens. Now Canon has gone to the next level with the PowerShot SX50, featuring a humongous 50x 24-1200 mm lens.

That’s more magnification power than most binoculars can provide! The SX50 allows you to capture huge landscapes or fill the entire frame with a subject kilometers away, just by spinning the lens, without having to switch lenses or cameras.

The camera inherits much from the SX40 before it. It has the same 12.1 Megapixel CMOS sensor, DIGIC 5 processor, and a rotating LCD display. The camera body, however, has been completely redesigned, with a much more sleek and modern looking design. The camera now has an external hot shoe, which can accept any of Canon’s Speedlight EX flashguns, making it much more useful in low-light situations. Wired remote control is also available.

The rear LCD size has been made slightly larger, and has more than twice as many pixels. It is a vari-angle display, which means that it can be tilted and rotated to allow for capturing at odd angles or to reduce screen glare. The 202,000 dot electronic viewfinder is surrounded by a rubber cushion and has a diopter wheel.

ISO range has been expanded from 100-3200 to 80-6400, while burst rate can take 13 frames per second over the previous 10.3. Full HD video recording has been added as well. Face recognition has been built into the camera’s autofocus system.

Twelve settings are available on the camera’s shooting mode dial, including the standard program, shutter priority, aperture priority and manual settings along with settings based on the scene or the subject, such as a sports mode and a landscape mode. A digital effects mode is also available. HD recording modes and even slow motion movie capture modes are available.

The SX50′s focal range is obviously its biggest selling point. Although the camera costs about as much as an entry-level DSLR camera, it offers much more value for its price, since DSLR cameras are either sold with a basic 18-55mm lens, or with no lens at all. Since the full potential of DSLR cameras can only be used in conjunction with a number of lenses, the SX50 offers a better value than any DSLR setups within this price range. In fact, a single DSLR lens for with the same range as the SX50′s lens would easily cost thousands. The fact that Canon has been able to put a lens like this into a fixed-lens camera with the SX50′s price tag is something of a manufacturing miracle. With the ability to take images in JPEG or RAW formats, the camera is a serious alternative to a DSLR.s

Saturday, April 27, 2013

Nikon D7000 Surprises with Professional Specifications...

 





The announcement of the D7000 came as a surprise for many people following Nikon. A successor for the D90 had been widely expected, but no one was really expecting the successor’s upgrades to be quite so large. The camera ended becoming its own class, in between the mid-range D90 and the professional D300s, although in many areas the camera matches up or even exceeds the D300s’ specifications –  even though the D300s is supposed to be Nikon’s flagship DX-format digital SLR.
With 16 megapixels, the camera’s newly developed CMOS sensor had the highest resolution in Nikon’s DX-format DSLR lineup when it was released (although it has since lost that title), easily beating the D300s’ 12.3 megapixels. The camera features a magnesium alloy body, which was previously only found on Nikon’s flagship cameras. Combined with a thick rubber coating for the hand grip, the camera gains serious durability and comfort over its plastic and polycarbonate competitors.

The autofocus system also got a big upgrade. The new 39 point AF array easily trumps the D90′s 11 point array. Nine of the D7000 ‘s points are cross-type points, which are more accurate and powerful than the normal type. The AF array works with a new 2016 pixel RGB metering sensor which allows subject tracking based on white balance and color. Nikon’s Scene Recognition System is also available, which senses the surrounding lighting and ambiance and automatically adjusts the camera’s aperture and white balance.

Movie recording capabilities have been significantly increased, with full HD 1080p video added at 24 frames per second. For lower resolutions, video can be shot at up to 30 frames per second. A microphone jack has also been added to allow for external audio recording although a built in mic is also available. The D7000 can maintain its focus on the during movie shooting even if it or the camera moves, thanks to its AF-F (Auto Focus Full time) mode. This is also available for the newly added live mode that allows for users to use the rear LCD rather than the viewfinder. Movie editing functionality has been added, of which much was taken from Nikon’s top-end cameras.

In continuous shooting mode, the camera can take up to 6 pictures per second, over the D90′s 4.5. An extra SD card slot has been added, both of which can support Ultra-High Speed cards. ISO ranges have been extended from 200-3200 to 100-6400, which can be boosted up to 25600, which allows for photography in increasingly dim situations. A built in sensor cleaning system has also been added. The rear LCD is relatively large at 3 inches, and has quite a high pixel density with a  921,000 display.

The camera includes a focus motor, which makes it compatible with AF, AF-D,  AF-S, and AF-I lenses from Nikon, allowing support for lenses twenty years or older. A new lithium-ion battery has been added. The viewfinder has 100% frame coverage, unlike the D90 that had 96%. Diopter adjustment for the viewfinder has been extended to a wider range.

Saturday, April 20, 2013

Best Candid Image Photo Contest...


 
“A candid photograph is a photograph that is captured without creating a posed appearance. This is achieved by avoiding the prior preparation of the subject and by either surprising the subject or by not distracting the subject during the process of taking photos. Thus, the candid character of a photo is regardless of the subject’s knowledge or consent as to the fact that photos are being taken, and regardless of the subject’s permission for subsequent usage such as distribution, but related to the apparent absence of posing.” – As described by Wikipedia.


Prize Nikon D3200

To enter the contest you will have to submit up to 2 candid images of any subject: family, friends, kids, pets etc… All the images must be G rated. No images of sexual nature, promoting violence or any form of racial, sexual or religious intolerance will be allowed to enter.
  • Images must be at least 900px x 900px and not bigger than 1400px x 1400px  up to 2 MB in size, .jpg or .jpeg format.
  • You must own all legal rights to submitted photos.
  • You will maintain the rights to all of your submissions.
  • You will have to submit a description of the image that will include: Description of the camera, lens, speed light. You can use Phone cameras. A few words about the subject of the photograph and environment you were shooting in.
  • Please submit at least 2 sentences about yourself.
  • Images can be edited in Photoshop or other editing software.
  • You will have to “like” our Facebook page.
  • Best work will be published on our Facebook page at https://www.facebook.com/pages/Slr-Hut/337865042900021 and our Blog at http://blog.slrhut.co.uk
  • We will announce the winner when Our Facebook Page will reach 7500 “likes”

You can submit your work to contest@slrhut.co.uk

Good luck Everyone !

Sunday, April 14, 2013

F/stop Explained

                
F/stop Explained

Understanding F/stop and aperture is essential if you want to get the most out of your SLR camera so bear with me as I will try to explain it to you in the simplest way I possibly can.

First you will have to remember that the lower F/stop is, for example 1.2/f the more light will get through the lens onto the sensor therefore allowing you to photograph in lower light, and higher f/stop for example 4.5/f will allow less light to get through the lens. I know… that sounds pretty confusing

-Why lower number means more light and higher less? Let me explain.

F/stop is a ratio between the diameter of the aperture and the lens focal length.  So for example on 50mm Lens f/2 says that aperture diameter is 25mm (50mm/2=25mm) and f/4 would say that is is 12.5 mm (50mm/4=12.5mm) now imagine that aperture is a window  through which light gets onto a sensor. Which door will allow more light 25wide big or 12.5 mm wide?

So F stands for?  F stands for Focal length which is measured in millimeters (mm)
And Stop is because  each number is a STOP in doubling/halving  sequence

f/1.4  f/2.0  f/2.8  f/4  f/5.6  f/8  f/11  f/16  f/22
Aperture
Aperture

As always I hope that I gave you enough information to inspire you to learn more, experiment and have fun with photography.